The Time Machine's Monique Chachere and Her Dad - Louis Chachere with His Classic "The Hen Part 1 and Part 2"

It's not everyday that a staff member of "The Time Machine" gets a chance to share - okay - show off her father's talent as a musician. Our own voice over talent, Monique Chachere, was raised hearing stories of musical yesteryear from her loving Dad, Louis Chachere.


Among the musicians on the classic 45 was jazz guitarist great Calvin Keys. It was Calvin's first ever recording session. In addition to "The Hen", Louis also produced The Trinikas 45 "Black Is Beautiful" and the flip side "Remember Me".




A big mahalo nui loa goes out to Larry Grogan from Funky 16 Corners for penning the wonderful piece below:




In my book, there’s just nothing tastier than a funky organ groove on 45. There are a number of reasons that this is so…



1. Most of your best organ grooves appear only in 45 form.



2. Organ grooves provide at least 200 percent of your daily minimum requirement of party starting, butt-shaking, good time.



3. Because I said so (you can ignore this one...at your peril!).



Anyway, whether it’s R&B, soul, jazz or beat-heavy funk, there are dozens of amazing Hammond sounds out there to be had and heard. I always dug organ sounds, but for years my listening was largely limited to jazz organ (which isn’t a bad thing in and of itself) and the masters thereof, the Jimmy’s Smith & McGriff, Groove Holmes, etc. Then in 1999, my pal Bill Luther hit me up with a righteous birthday present. The CD in question was the "Vital Organs" compilation, compiled and annotated by the mighty Matt "Mr. Finewine" Weingarden of WFMU and record collecting fame (a righteous dude and a man who’s probably forgotten more great records than I’ve managed to collect). I was immediately intrigued. The track listing revealed not a single familiar name (a challenge!), and lots of appealing song titles – "The Hatch", "Soul Power", "Put Your Weight On It", "Shimmy" – the kind of titles that when attached to a dusty 45 pulled out of a moldy box set the spidey sense a-tingling (they’re also the kind of titles you sometimes find on surprisingly un-funky records, but that’s why I got a portable to dig with). So, I get into the car, slide the CD into the player and enjoy a whole other party all the way home. It was all over after that. It’s not often that I can trace my interest in a genre of music back to a specific starting point, but this was one of those times. In the ensuing six years I have spent an inordinate amount of time (and, yes….money) tracking down, and digging up all manner of Hammond action on 45, to the point where I can proudly say that my organ crates are quite healthy and filled with all manner of death dealing heavy hitters, each one guaranteed to leave the house suitably rocked and the dancers sweaty (but happy). Though I still haven’t tracked down all the cuts from "Vital Organs" (and considering the rarity of some of them likely never will), I have managed to snag a copy of "The Hen Pts 1&2" by Louis Chachere. Despite the fact that "The Hen" was released on Louisiana’s Paula label, and the artist in question has a name that sounds like it shows up several dozen times in the New Orleans phone book, this gem is a bit of Kansas City soul. Chachere originally recorded "The Hen" for the local MJC label, and it was then re-released by the Forte label, in Kansas City, MO. Forte was owned by Marva Whitney’s husband Ellis Taylor (her Excello 45 "Daddy Don’t Know About Sugar Bear" was originally issued on Forte). "The Hen" was licensed to, and released by Paula records.

The tune opens with a tighty, funky snare break (one of my fave snare sounds, along with the drums on James K Nine’s - actually Eddie Bo - "Live It Up" on Federal),and the bass and organ jump right in. The melody line is stated first by the saxophones and then Louis drops in wailing on the break.. The jazzy guitar playing is excellent, and the record is very tightly arranged and well produced. "Part 2" starts back in with a lengthy (and tasty) sax solo, followed by a nice section where the bass/drum tandem is brought up in the mix. Both sides of the record put together barely crack the four and a half minute mark, so the dj in you can’t be blamed for wanting to rock doubles and play it all the way through. The beat is irresistible, and Louis and company manage to keep the novelty “chicken” hysterics on a very low boil. I haven’t been able to nail down a release date, though the catalog number on the 45 suggests sometime between 1969 and 1970, so there is a possibility that this was an attempt to capitalize on the Meters "Chicken Strut" (if anyone knows for sure, drop me a line). Mint copies of this classic are unlikely to be had for less than $50 (sometimes more) though I bagged mine at a bargain price because I took a chance (rewarded) that the record had been undergraded. "Vital Organs" is sadly, out of print, though you might be able to track down a used copy. The only other info I could track down about Louis Chachere is that he produced the funky rarity "Remember Me" By The Trinikas.